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The Asphalt Jungle (Huston, 1950) - TSPDT #314

The small-town hooligan Dix is hired for a jewel heist. But the plans of the mastermind Riedenschneider fall apart one after the other, until all Dix has left to run for is his own life. Sterling Hayden's character is an outwardly-hardened but human farmer that tries to return to his farm that his family lost some years ago. But also the other figures are quite interesting: the corrupt lawyer who plays cards with his sick wife and keeps an expensive blonde somewhere. Although not perfectly balanced, at some points the guilt he felt in front of his unsuspecting wife were tangible. Also the commissioner and the detective were not without flaws, even small roles had interesting little scenes. Should re-read the script.

Key Largo (Huston, 1948)

When an ex-lieutenant visits the father of one of his fallen soldiers he finds their home taken hostage by ruthless gangsters. The diversity of the characters in this story is breathtaking. All the actors manage to render their part with amazing depth and conflict. Robinson is a great villain, and the stubborness of the father is quite amazing to watch. The party being locked in the small space of the hotel lets everybody clash with everybody. The ending felt a bit propped on to me and a complete change of tone. When I read that Huston "borrowed" that ending from Hawks "To Have or Have Not" it came as no big surprise. The social commentary with the Indians treated as low lifes was quite amazing and the old Indian woman looked great on screen. Maybe in a more modern version more people would snap in that situation and the ending would have definitively more graphic violence. It would make way more sense to flood the hotel and let the people have it out on the ...

The treasures of the Sierra Madre (Huston, 1948) - TSPDT #111

Two drifters set out to dig gold with an old prospector in a remote area. When they find it, the problems start. Very straightforward and still gripping - I felt that the film's pacing is very even throughout the very different chapters, which gave it a somewhat documentary or even "slice of life" feeling. Bogart goes through an interesting transformation although sometimes he was a little bit over the top, I thought. Walter Huston is amazing to watch and although his character doesn't change a lot through the movie he adds an amazing depth and reality to the prospector he's portraying. When Bogart's character is killed I was amazed by the situation before - the bandits didn't seem really dangerous (unless to the deranged mind of Bogart's character, of course) they were portrayed amazingly stupid and simple. The ending was predictable but still quite amazing.