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The Stranger (Orson Welles, 1946)

Professor Rankin, a teacher in a small town in Connecticut marries the daughter of a Supreme Court Justice. She has no idea that the man she loves has a very sinister past. There is something comically surreal about the whole plot. Although the film shows some signs of a typical film-noir, it is more a political satire on post-war America. Undercover war crime agents hunting Nazi sleepers is a rather blunt set-up and many of the actions in the film verge on the ridiculous. When the 'bad guy' is finally uncovered, Welles' character goes through an inconsistent zigzag of confiding the truth to his wife, and at the same time lying to her. On the other hand he is a amateurish murderer with very weak planning ahead for such an allegedly super-smart war crime architect. His escape attempts towards are lame and stupid - packing a bag or hiding in his favorite spot in the church tower when the whole town is searching for him. I can understand why Welles didn't like th...