Keaton has a theatre dream where he is everybody - the actors and the audience... and everybody else, too.
He is also the editor, the director, the writer and the producer on this movie. Never mind the megalomaniac tongue-in-cheek credits: this is a great film. Many of the sequences on the stage are unsurpassed. For reasons unexplainable I loved the parts with the orchestra, maybe orchestra slapstick is something like its own sub-genre.
Definitely go and have another look at that for great slapstick! And although I do prefer the beautiful narratives of the later Keatons, even this one is already on an extremely high level.
He is also the editor, the director, the writer and the producer on this movie. Never mind the megalomaniac tongue-in-cheek credits: this is a great film. Many of the sequences on the stage are unsurpassed. For reasons unexplainable I loved the parts with the orchestra, maybe orchestra slapstick is something like its own sub-genre.
Definitely go and have another look at that for great slapstick! And although I do prefer the beautiful narratives of the later Keatons, even this one is already on an extremely high level.
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