Direkt zum Hauptbereich

Take Shelter (Nichols, 2011) #TSP21 #166

A happy family father becomes obsessed by the need to build a shelter for his family.

It is definitively a slow, but pretty intense film. Most of the tension for me came from the fact that I the closeness of the community he lives in became tangible. Interesting is, that this lower middle class family already starts from a quite unrealistic outset: Money is short, but they struggle - and they manage... somehow. Obviously, the main character's illness pushes them below the waterline pretty quickly. A family like that in 2012 would already set out underwater.

The biggest surprise for me was Jessica Chastain. Finding her character at few points a bit annoying in Tree of Life, I felt she really found the perfect balance on her - imho extremely difficult - portrayal of the mother and partner. Most impressed by her work - too bad she's already such a big star. (she still DOES seems to read smaller scripts)

Another perfect moment in the story is the meeting of the husband with his brother. Between brothers - especially if there is a "past" - there is so much subtext that it just bursts at the seams. Loved it.

I would have left out the very last scene. We know what they're looking at - nothing on the screen could have surpassed what I had in my mind just then.

Kommentare

Beliebte Posts aus diesem Blog

Time of the Gypsies / Dom Za Vesanje (Emir Kusturica, 1988)

A supernaturally gifted boy from a Gypsy community is forced to survive in the world of crime. The intriguing qualities of Kusturica's films I've seen is his relentless depiction of basically crazy communities. Not just agreeably potty, they're usually outright interstellar-nuts. Here, he follows the fate of the rather harmless boy Perhan, that leaves for Italy in hope of a better future for him and his loved ones. There are some enormously interesting images in the film that kept ringing long after. The ritual in the river and the last scene in the church ruin (with a horse standing somewhere far back in the image...). After sketchily mapping out the scenes it is surprising how rigorously three-acty the screenplay is constructed. The first act seems quite long in terms of time and number of scenes, but there is also a lot of imagery spent on depicting life in this crazy universe, which makes the second part in Italy much more believable. And there is a certa...

Easy Street (Chaplin, 1917) - #DTC 1819

The tramp-turned-policeman is given charge to clean up notorious Easy Street. This Chaplin was pretty coherent in story, although one can still feel his extremely strong focus on single scenes, and his longer films always lack something of an arc for me. But here the whole movie is short enough to keep me posted on the story. The centerpiece for me was the chase routine, which seemed like an enormously tuned door-in/door-out scene. But the tempo is still amazing to watch even after a hundred years. I felt a lack of this pace in Lloyd's film and in other slapstick comedies from the era and later. The general perception of comedic rhythm seems to have changed substantially over time, but Chaplin's stuff seems to work great in all eras. His arch-enemy, the fascinating Eric Campbell is a delight to watch and works as the archetypical thug.

Choked (Joong-Hyun, 2011) - #Berlinale 2012 #koreablog

A young man is confronted with his mothers worsening debts. Things spiral out of control when she suddenly disappears. Most notable about the film for me was the insight into the Korean society - the filmmakers seem to suggest that basically everyone in Korea seems to live way over their means. The pressure on the son to get a "good life" in terms of owning an apartment of good size determines the happiness of his fiancee. The characters talk plainly about the subject of money to each other with a frankness that would not be seen in other societies. I wonder if this was a fiction or conversations can be that open in Korea. Something I've noticed recently in some Asian films with a similar style is a sort of liberation of the genre, I cannot really describe it any better. At any point during this film I expected it to turn funny, bloody, dramatic or simply weird. And to a very slight degree it really turns this or that direction. Maybe it was just me, but t...