Direkt zum Hauptbereich

Parkland (Peter Landesman, 2013)

The stories of some of the bystanders of the Kennedy assassination after the event is explored.

Watching this made me realize that many things can go wrong in a movie. Unfortunately, the whole film felt like a documentary-reenactment for TV with many of the big names just being in it to up their Imdb star-meter ranking.

Biggest problem of the film is that for some reason the makers assumed that there is a general emotional level of shock about the assassination they can build upon. I don't have that, and neither did anybody in the audience. So most people sat through it, obviously bored and desperately trying to attach themselves to at least one of the characters. But nobody stays on the screen long enough that we can really understand what problems they are developing. At one point it becomes comical, but nothing suggests that there might be irony in this film. (Trying to get the coffin into Air Force One is bizarrely funny, but it just doesn't work)

Most of the time the poor sods depicted are shown in a state of utter disbelief, aggravated shock or in tears. Side characters do the talking for them, stating the obvious, mostly. The over-sentimental music does its best to exaggerate these scenes. Oh, those poor poor righteous citizens - at one point I was wondering if the producers were trying to stir anti-American sentiments by releasing this film. Yes, it was that annoying. People left the cinema swearing and head-shaking. Somebody called it the 'most expensive masturbation' on the big screen they had ever witnessed, and, 'a Republican wet dream' (?). Too bad, Gore Vidal isn't alive anymore. He would have had a field day on reviewing this one.

For me, the worst was that the script misses a fantastic opportunity: The complicated situation that Lee Harvey Oswald's brother is faced with and how he tries to deal with his dysfunctional family, while at the same time his brother is possibly the most hated person in the world. As we learn at the end of the film, he never changed his name. But I've really would have liked to know, what he and his wife and kids had to endure in the years to follow. The actor James Badge Dale (who was really good in the little room they gave him here) could have had his big chance with this character. Now, that would have been a great movie. 

Kommentare

Beliebte Posts aus diesem Blog

Time of the Gypsies / Dom Za Vesanje (Emir Kusturica, 1988)

A supernaturally gifted boy from a Gypsy community is forced to survive in the world of crime. The intriguing qualities of Kusturica's films I've seen is his relentless depiction of basically crazy communities. Not just agreeably potty, they're usually outright interstellar-nuts. Here, he follows the fate of the rather harmless boy Perhan, that leaves for Italy in hope of a better future for him and his loved ones. There are some enormously interesting images in the film that kept ringing long after. The ritual in the river and the last scene in the church ruin (with a horse standing somewhere far back in the image...). After sketchily mapping out the scenes it is surprising how rigorously three-acty the screenplay is constructed. The first act seems quite long in terms of time and number of scenes, but there is also a lot of imagery spent on depicting life in this crazy universe, which makes the second part in Italy much more believable. And there is a certa...

Detour (Ulmer, 1945) #TSPDT #390

A hitchhiker is picked up by death and then picks up his personal tormenting devil. The plot looked fairly straightforward, but the magic of this gem is that the story strand convolutes until it tightens into a strangling gordic knot - which is pretty much exactly what happens towards the end. The flashback structure are very noir-ish, so was the plot - everything straight down, right from the beginning. I really rooted for the guy to get out of this situation, but every time he takes a decision it actually gets worse - so in the end I was just hoping he might die and get relieved. Most striking was the jaw-dropping performance of Ann Savage. She pops out about a mile and her character is rendered so immensely unlikeable that I wondered that she has not been called the godmother of a new type of acting school (maybe she was?) This is definitively a film worth studying again. Its shortness does nothing to diminish the impact and it is rich on details.

Scarface (de Palma, 1982) - TSPDT #490

A cuban refugee wreaks havoc on Miamis drug industry and realizes his version of the American Dream. The main character is really something - the acting is great and the character suffers from the most fatal of all flaws: He cannot lie - although in a practical sense he does exactly that. So his attacks on the american society he has worked so hard to become a part of work really great - he has a deep insight but at the same time he is hypocrite enough to fall in the same trap in a way. The only time when I felt that the script had to "pull" a little to take the story where it wanted it is when Tony's mother calls to ask about his sister. Her character was a little too much on hating Tony.