A private detective
is sent to search for the runaway daughter of a rich LA ex-actress
and stumbles over an intricate web of lies.
What I like so much
in film noir is that there is a certain quirkiness to the motivation
of the protagonist. With Night Moves being classified as a Neo-Noir,
I thought it might be interesting to map the journey of the main
character throughout the movie.
There is no dramatic irony in this film. We know exactly
what the character knows at all time. He is in every scene of the
film. But we get to know him quite a bit over the course of the story.
Short description of Harry Moseby: A former football player, now working as a struggling private detective, has problems of confronting family problems. He cannot cope with his cheating wife, or talk to his estranged father. On the other hands he tries to "fix" or "break" families professionally. He only mentions his football career in terms of losing a game, so he must have been kicked out or abandoned the sport he loved.
There are some great dialogues in the film: Paula seducing Harry. Joey and Harry talking about 'everything' but work. Many of those scenes 'unpack' Harry's past and his personality. Poignantly speaking: he is in a long analysis session.
|
What Harry learns. |
What we learn about Harry. |
0:01 |
Character in his environment. Gets a job. It's a rich client,
so he dresses up. |
Harry Moseby is private dick. His office is not in perfect
order, but doesn't look too shabby. His secretary is an answering
machine, so not doing great either. |
0:02 |
Visits wife in her antique shop. Doesn't particularly like her
co-worker. |
That's where all the stuff in his office comes from. Still has
sexual attraction to his wife. She asks him for cash, so she might
not be rich. His contempt for Rohmer movies indicates that he is
not culturally sophisticated. |
0:04 |
Visits the client. She's rich (looking down on LA). His job is
to look for her daughter. |
He's quite down to business with her – not interested in her
fading charms. |
0:07 |
Visits his friend in his office. |
He doesn't know too much about antiques, either. Allusion to
his past as a football player. |
0:08 |
Listens to brief on Anderson. Learns about a trust fund for the
missing daughter. Finds out his wife is cheating on him. |
Remains professional detective, despite spying on own wife –
relatively calm. |
0:11 |
When wife comes home, he doesn't mention it. |
Does not know about to confront his wife – fear of what? |
0:12 |
Seeks out Quentin/ex-bf of daughter Delly. Learns that Delly
stayed on with a stunt-man. |
Can become violent when needed. |
0:14 |
Waits for the lover of his wife to return. |
Harry plays chess. |
0:15 |
Confronts the lover. |
The lover reveals the protagonist's back story: abandoned
child, athlete, etc. by relating it as something his wife had told
him. Has to battle his anger not too hit the disabled lover. |
0:17 |
Lets wife confront him. She interprets his behaviour of being
“professional”. She wants him to take a 'stable' job. |
A certain resignation to the situation, but he might not have
made up his mind yet about his marriage. |
0:20 |
Goes to the set, to see the stunt-man. He befriends the
stunt-coordinator Joey. |
He was quite a prominent football player. |
0:21 |
Talks to the stunt-man. But Joey also seemed to have some
relation to Delly. Joey can get quite nasty and seems impulsive. |
|
0:25 |
When he says bye to Joey he sees Quentin working on the set. |
|
0:26 |
Goes back to the mother. Questions her about Marv and Delly. He
thinks that Delly might be with Tom Iverson. |
He can be pretty cold, when he is reciting his deductions to
the client. |
0:28 |
Meets wife in the garage but no time to talk. |
Harry still avoids confrontation (and conclusion) with his
wife. |
0:29 |
Goes to Iverson's place. Learns that Delly is there. |
He is not immune to the charms of the woman Paula he has met. |
0:33 |
Talks to Delly but doesn't break it to her. There is something
between Tom and Paula, but he doesn't know yet what. |
Paula seems also charmed by him. |
0:36 |
Tom Iverson shows up. He seems to be some kind of eccentric
egoistical type. Harry figures correctly that Tom has some kind of
relation to his step-daughter and confronts him. |
Harry barely is more interested in Paula than in Tom. |
0:38 |
Delly is in Harry's room, trying to seduce him. But Paula shows
up and after an awkward moment Delly takes off pretty angry. |
Harry is a bit awkward when it comes to himself. And he is a
passionate chess player.
There is a beautiful little dialogue here about not seeing the check mate between Paula and Harry. |
0:41 |
Breaks his purpose to Delly. But she doesn't want to go back,
because her mother is only interested in her trust fund. |
He is still a man with great physical strength. |
0:44 |
Learns more about Paula's background. Delly finds a sunken
plane with dead pilot inside (coincidence?)
|
|
0:50 |
Tom is not too surprised about it. Lot of accidents in the
area. |
|
0:52 |
Asks about lack of Paula's reaction to the dead man. Paula
stays with him. More bg on Paula. |
He succumbs to her. |
0:58 |
Delly wants to return home.
|
Harry doubts his own behaviour (cheating on his wife) |
1:01 |
Harry brings Delly home. Meets Quentin there who's angry at him
for bringing her home. Big scene at their house. |
He doesn't want to be part of this disintegrated family's
problems. Runs away (rolls up car window) |
1:03 |
Breaks into his wife lover's home. His wife is there. |
He confronts his wife. He wants to change his life. |
1:06 |
Meets Joey at a football game. Delly also has cards from Joey.
Harry doesn't understand the connection between them. |
|
1:07 |
His wife visits him in the office. He gets together with his
wife again. |
His wife notices that he's changed. He has, indeed. |
1:10 |
Tells his wife about tracking down his father. |
Inner bg story. He didn't have the guts to step up
to his father when he found him. |
1:12 |
Delly has died. Harry watches a film take with Joey where she
was killed during a stunt take. Joey had been driving the stunt
car. |
|
1:17 |
Harry learns that the mother is not exactly grieving. |
There is a growing anger inside Harry at the injustice done to
Delly. |
1:20 |
Quentin says he doesn't know a thing. Ellman (the stuntman) was the dead man
in the plane at the bottom of the sea. Quentin flees when Harry
accuses him of having manipulated the car.
|
|
1:21 |
Learns that Quentin knows Tom (from Joey) and the plane crash
didn't get reported. |
|
1:22 |
Leaves |
It seems he can resolve the issues with his marriage. |
1:24 |
In Florida he finds a dead Quentin. Surprises Paula and Tom
before they're heading off with the boat (to flee?) - Tom and
Harry fight |
He has theories but can't seem to connect them. |
1:28 |
Harry learns from Paula that it has been all about smuggling
antiques from Mexico to Florida. |
He trusts Laura (has to) – but realizes that she only was
with him to distract him. He fell for her lies. |
1:31 |
Paula decides to dive down. Harry sees a plane approaching. He
gets shot in the knee. The plane lands and kills Paula as she gets
back to the surface.The plane crashes and sinks. It's Joey who was
flying it.
|
|
1:38 |
The wounded Harry can only make the boat drive around in
circles.
|
He didn't solve the case. Has been played by every party. |
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