Montag, 28. November 2011
Modern Times (Chaplin, 1936) - TSPDT #48
As beautiful as the scenes are, they also seem strangely unconnected. Chaplin's work within the frame is stellar, but the whole holds together rather loosely. I had much better memories of the film and although it's production value has aged really well, the story as a whole has the very strong feeling of assembled from shorter stories.
Production design in the factory is fantastic and I loved the "monitoring" of the boss. I realized that there is a lot more incidental sound in the beginning than in the end of the movie, where the film becomes practically the classical silent film in a slow but amazing transformation.