Source Code (Jones, 2011)

Groundhog day meets Mission Impossible - where Gyllenhal has to relive the last 8 minutes of a doomed train attacked by terrorists.

The story was quite alright in itself, the execution was professional but I felt strangely unsatisfied with the whole film. I think that except Gyllenhal's character the players (esp on the train) felt very cardboard like. Since he has only 8 minutes to connect to those people it would have been more satisfying to give them more extreme, eccentric and visual features. Some of the train passengers were quite ok, but most of them just fell flat.

It might have been more interesting if Michelle Monaghan would have given a much more aggressive character - the love story came out of thin air, so she had to already be in love with the guy. It would have been much more fun if she was just about to break up with Gyllenhal's alter ego. There's not enough tension and as this is a science geektion story, so nobody gives a toss about romantic love, but everybody is interested in ugly relationship struggles (because of too much WOW and Pratchett, maybe?)

And I still don't know why this scientific crap talk is still put in movies. "Parabolic analysis" actually exists as some kind of hocuspocus stock market analysis, but maybe i'm missing the pun and the great professor B. Oomerang insists that whatever happens in the movie could has happened tomorrow over and over in the real yesterday.

Kommentare

Beliebte Posts aus diesem Blog

Time of the Gypsies / Dom Za Vesanje (Emir Kusturica, 1988)

A supernaturally gifted boy from a Gypsy community is forced to survive in the world of crime. The intriguing qualities of Kusturica's films I've seen is his relentless depiction of basically crazy communities. Not just agreeably potty, they're usually outright interstellar-nuts. Here, he follows the fate of the rather harmless boy Perhan, that leaves for Italy in hope of a better future for him and his loved ones. There are some enormously interesting images in the film that kept ringing long after. The ritual in the river and the last scene in the church ruin (with a horse standing somewhere far back in the image...). After sketchily mapping out the scenes it is surprising how rigorously three-acty the screenplay is constructed. The first act seems quite long in terms of time and number of scenes, but there is also a lot of imagery spent on depicting life in this crazy universe, which makes the second part in Italy much more believable. And there is a certa...

Detour (Ulmer, 1945) #TSPDT #390

A hitchhiker is picked up by death and then picks up his personal tormenting devil. The plot looked fairly straightforward, but the magic of this gem is that the story strand convolutes until it tightens into a strangling gordic knot - which is pretty much exactly what happens towards the end. The flashback structure are very noir-ish, so was the plot - everything straight down, right from the beginning. I really rooted for the guy to get out of this situation, but every time he takes a decision it actually gets worse - so in the end I was just hoping he might die and get relieved. Most striking was the jaw-dropping performance of Ann Savage. She pops out about a mile and her character is rendered so immensely unlikeable that I wondered that she has not been called the godmother of a new type of acting school (maybe she was?) This is definitively a film worth studying again. Its shortness does nothing to diminish the impact and it is rich on details.

Scarface (de Palma, 1982) - TSPDT #490

A cuban refugee wreaks havoc on Miamis drug industry and realizes his version of the American Dream. The main character is really something - the acting is great and the character suffers from the most fatal of all flaws: He cannot lie - although in a practical sense he does exactly that. So his attacks on the american society he has worked so hard to become a part of work really great - he has a deep insight but at the same time he is hypocrite enough to fall in the same trap in a way. The only time when I felt that the script had to "pull" a little to take the story where it wanted it is when Tony's mother calls to ask about his sister. Her character was a little too much on hating Tony.

Yogi's Movie Consumption Blog

Dieses Blog durchsuchen