Freitag, 16. März 2012
Cool Hand Luke (Rosenberg, 1967)
The boxing, the egg-eating and the hole-digging scenes had a big impact on me. There is a progressive senselessness in the actions, the first being a sort of understandable pecking order fight, but after that everything Newman's character does is basically pointless - and it didn't matter if he was in control or not.
All his other actions are just as aimless - the beheading of the parking meters, and the "fast working" performance with the road tarring machine, where he manages to motivate everybody to work like crazy.
Because of all this, the story was deeply unsettling to me. The lead character is lost in life and the universe, and - very poignantly - dies inside a church. In a modern version, the church might be replaced by some kind of bank or corporation, that tries to give a bizarre mission to one's life while at the same time micromanaging it.
There is gorgeous photography and the faceless guard is a delight to watch.