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The French Connection (Friedkin, 1971) #TSPDT 677

Two cops try to uncover a big heroin deal of which only they are convinced is taking place.

It's the supposed realism that the film is shot in, that helps to bring the ruthless character of Hackman's character. On second thought, there are many surreal elements in there, that make the detective look more like a caricature.

My favorite little piece was when he overtook a girl on a bike wearing red boots with his car. The next thing is we find him in bed with her. I do own a bike and I also have a drivers license which I have set to use in many countries around the world. I have to sadly admit that I seem to not to possess enough skills on either vehicle to pull off something to this effect.

The chase sequence worked so well in my opinion, because the film managed to lock me in with Hackman's determination - the chase itself is not very high speed compared to the hackfests of nowaday with two to three edits per second.

Another interesting little detail is that the films easily works in two languages (French/English). Something that seems to have disappeared from most main-streamish movies. But it works fantastically and I'd love to see more of it. People can read subtitles, maybe even better than in the 70s where you could get around without Twitter and texting.

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They drive by night (Walsh, 1940) #DTC #161

Two truck-driving brothers dream of a better future and financial independence in a sea of good and bad fortune.

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In terms of interesting characters, Ida Lupino as the selfish wife that tries to seduce George Raft's Joe she is definitively at the most intense when she slowly sheds all the layers of sanity towards the end. Although her motives are a bit unclear - the amazing thing about her behavior is that she values love over money. In that perspective the movie feels like a tragedy, as (except for the loan shark) everybody has comparatively sophisticated understanding of emotion and life.

Au revoir les enfants (Louis Malle, 1987)

During second world war the monk running a boarding school for upper-class kids hides Jewish kids.

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The focus shifts twice in the scene: From the family table to the French Jew's table  (who I have been told wears the red …

Glory (1989, Edward Zwick)

A young commander in the civil war is asked to recruit and lead the first all-black Confederate battalion into the Civil War.

I am not too interested in details of the American Civil War but the film managed to stir my interest in some ways. I might want to look up the difference in treatment of the many Chinese laborers that were employed in the development of the West and what kind of legacy this particular group of people has to suffer from in contrast to the better-known fate of African-Americans.

There are some interesting scenes in the film. I decide to examine the battle scene in the beginning. It introduces Broderick's character as a naive and brave but inexperienced soldier - a great choice of casting, especially in contrast to the hardened appearance of Washington. According to imdb footage was used from re-enactment groups and intercut with the staged film.

Before the battle scene commences Broderick walks in row of soldiers and talks over the pictures of the gathering…