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The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France (Olivier, 1944) #TSPDT 395

Laurence Olivier's  rendering of Shakespeare's Henry V is a fascinating experience of "just acting"

As I am still plodding through the works of the master and having still a couple of the historical plays before me (the "Richards" and one "Henry") I have found out that only multiple viewings/listenings and readings will give some satisfaction and reward. Not being fully at ease with the intricate history of the Lancaster and Plantagenet families it took me forever to figure out which is which in the back and forth of those laborious intrigues.

Luckily, Henry V is a bit simpler. Family feuds are at a minimum during this period and good ol' Hal sweeps over to France, kills pretty much everything that moves, marries the kings daughter and even lets his sinister buddy Falstaff die of more or less natural causes. Olivier's version of the imperial entrepreneur is not as ambivalent as in the play (just by leaving out some crucial scenes) and mostly the good fellow that every soldier in the bloody trenches of 44 must have wished be his commander.

The colors are glorious, the opening marvelous and some of the scenes hilarious (they left in the sexual content in the fake french scene - not many people understand it today). Not everything holds up perfectly, for example the French Court feels too stagey. But the battle scenes are pretty cool and left me ruminating: how did they manage to pay for all that?


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They drive by night (Walsh, 1940) #DTC #161

Two truck-driving brothers dream of a better future and financial independence in a sea of good and bad fortune.

Although the film has all the ingredients of a film noir, like the selfish femme fatale, Bogart, and many night scenes, this is something you could consider a feel-good movie. It pretty much surprised me with its turns and twists and I also wasn't prepared in the least to see Bogart as the sidekick, instead of the lead.

In terms of interesting characters, Ida Lupino as the selfish wife that tries to seduce George Raft's Joe she is definitively at the most intense when she slowly sheds all the layers of sanity towards the end. Although her motives are a bit unclear - the amazing thing about her behavior is that she values love over money. In that perspective the movie feels like a tragedy, as (except for the loan shark) everybody has comparatively sophisticated understanding of emotion and life.

Au revoir les enfants (Louis Malle, 1987)

During second world war the monk running a boarding school for upper-class kids hides Jewish kids.

This highly personal movie is very touching and manages to avoid all the pitfalls of being overly emotional. Music and editing are very subdued and carefully used to underline situations. This makes the story ring true (which it was) and gives the viewer good time to settle into the universe that these kids live in.

There are many quite complicated scenes and I was interested in one particular: When Jean gets invited on parent's day by the mother of his new best friend into a posh restaurant. In that very restaurant there are Nazis at one side of the room and an elderly Jew sitting on the other side. The table of the family is right inbetween. Many things about France during the war are told during this scene, I'll just try and focus on camera placement.

The focus shifts twice in the scene: From the family table to the French Jew's table  (who I have been told wears the red …

Glory (1989, Edward Zwick)

A young commander in the civil war is asked to recruit and lead the first all-black Confederate battalion into the Civil War.

I am not too interested in details of the American Civil War but the film managed to stir my interest in some ways. I might want to look up the difference in treatment of the many Chinese laborers that were employed in the development of the West and what kind of legacy this particular group of people has to suffer from in contrast to the better-known fate of African-Americans.

There are some interesting scenes in the film. I decide to examine the battle scene in the beginning. It introduces Broderick's character as a naive and brave but inexperienced soldier - a great choice of casting, especially in contrast to the hardened appearance of Washington. According to imdb footage was used from re-enactment groups and intercut with the staged film.

Before the battle scene commences Broderick walks in row of soldiers and talks over the pictures of the gathering…