Direkt zum Hauptbereich

Himmel über Berlin / Wings of Desire (Wenders, 1987) - #TSPDT 250

An invisible angel roams the streets of Berlin when he realizes that his spiritual existence is not the fulfillment of his destiny.


Bruno Ganz's subdued performance takes a bit to getting used to, but his appearance on the big screen is so mesmerizing that it was my joy to watch him for the full length of the movie. He barely speaks and when he does it often sounds like he is reciting from heavy prose or dense poetry.


The film in itself doesn't try to hide its schematic and for today's tastes the switch between b/w and color might even seem rather crude. I really loved the black and white renderings especially when the dancer was sitting in her trailer - beautifully lit photography at its best.

The dreamlike narrative that manifests very slowly from the uncountable narratives the two angels encounter as they roam the streets of Berlin is just as unreal as the conclusion of the story: love doesn't meet out of coincidence, lovers are drawn together by fate, a force more powerful than all the eons that the angels have waited for the arrival of man.

The woman's speech at the end of the film is one of the most beautiful I have heard in a German film. Maybe I'm too romantic or maybe I fell for the french accent.

 

Kommentare

Beliebte Posts aus diesem Blog

Time of the Gypsies / Dom Za Vesanje (Emir Kusturica, 1988)

A supernaturally gifted boy from a Gypsy community is forced to survive in the world of crime. The intriguing qualities of Kusturica's films I've seen is his relentless depiction of basically crazy communities. Not just agreeably potty, they're usually outright interstellar-nuts. Here, he follows the fate of the rather harmless boy Perhan, that leaves for Italy in hope of a better future for him and his loved ones. There are some enormously interesting images in the film that kept ringing long after. The ritual in the river and the last scene in the church ruin (with a horse standing somewhere far back in the image...). After sketchily mapping out the scenes it is surprising how rigorously three-acty the screenplay is constructed. The first act seems quite long in terms of time and number of scenes, but there is also a lot of imagery spent on depicting life in this crazy universe, which makes the second part in Italy much more believable. And there is a certa

Prisoners (Villeneuve, 2013)

I haven't seen many of Villeneuve's movies, but I really like everything so far. When thinking about Prisoners after a few days, there was a particular scene that somehow kept returning to my memory: When Gyllenhal's character is introduced, sitting alone in Chinese restaurant, not-flirting with the waitress. For some reason this scene struck me as "different". That gave me the idea to examine all the first appearances of the characters in the movie. ( SPOILERS )   KELLER DOVER (Hugh Jackman) - we don't actually see him, we start with a very static shot into the forest. The man is looking into the forest, it is his POV (which we find out quickly). But we can hear him praying, while a deer walks into the frame. When the camera pulls back, a rifle points at the animal. And just after "Amen", a shot is fired. Now, here's a little surprise: Keller, who was doing the praying has his son RALPH (Dylan Minette) shooting the rifle. It's a fat

007 Thunderball (Terence Young, 1965)

Bad guy steals atom bombs and hides them close to a seaside resort. James Bond saves the day and every woman from virginity. This shot was used a couple of times. After not having watched this in a long time I was amazed at how strange the 60's Bond comes across. For my taste, the Bonnery character is just a bit too plump verbally in his predatory attacks on just any woman he encounters. Many of the quips that must have been hilarious during the day come across as quite dumb now - even when looking at it as a period piece.... but who knows what the socially accepted standards were 1965 for the mating dance in England? Still it is an enjoyable movie - the villain is straightforward evil, the girls are beautiful, smart and opportunistic and the men are sex- and power-hungry (and quite stupid). The world of James Bond. The final battle scene under-water is still jaw-dropping to watch. Just to set up the scene the director had to solve a load of problems: Orientation and light